I love Jet Li and I am highly anticipating his new movie Unleashed.
In Zhang Yimou's Hero, Hong Kong action star Jet Li played a steely warrior hired to assassinate a king. For Unleashed, known at one point as Danny the Dog, Li takes on an even more dramatic and challenging role as a young man named Danny, raised like a dog by a brutal UK gangster, played by Bob Hoskins, to take down his enemies with the simple unleashing of his collar. When Danny has a chance to escape, he meets up with a kindly blind piano tuner played by Morgan Freeman, and his daughter Victoria. The two of them teach him about family and life to the point where he wants to give up the violent life of fighting
Jet Li talked to ComingSoon.net about why he wanted to do this very different film and take a role that might finally change perceptions of what is a "typical Jet Li" movie. (Note: English is Li's second language, so some of this interview has been edited for grammatical purposes in order to make it easier to read.)
CS!: Were you happy to show that you had some depth that maybe you haven't been given credit for in the past?
Jet Li: Yeah, that's why I make this film. A few years ago, I talked to Luc [Besson], and he gave me some idea about making another action film, because it had worked before. I didn't like all the ideas, because I said that they sounded familiar. I wanted to do something I never had a chance to play. I had one idea: a message that said "violence is not the only solution." Then two days later he gave me the idea, and said to me "How about you play a dog who is saved by music?" Then we start working on writing this movie and I liked it very much.
CS!: This being your second movie with Luc Besson, did you have more input on the script or were you able to collaborate more on it?
Li: We're like brothers when we work together. I say that he's my personal computer, because every button I push, he comes up with a lot of ideas. Whatever idea I put, he receives. I hope I can work with him again. When I started working on this movie, I already said that next step is a family movie for children, a light comedy. I saw the script. It's finished and pretty good.
CS!: Can you talk about Danny's non-fight movements, and how you choreographed that when he wasn't fighting?
Li: First of all, I found a wonderful acting coach from London. She's a professor who flew over here and worked with me two months before the shooting. We needed to study to forget who Jet Li is, because Danny is only mentally around 8 or 10 years old, so we need to forget a lot of information in order to find empathy. We spent a few weeks to find that empathy and try many ways to put the mask on yourself. Then we did research and watched a lot of different kinds of dogs to start building up Danny's world. We watched different kinds of dogs. When the collar was on, we tried to find puppies and what was their reaction, or the collar off, like a really wild dog. Then we told Wu-Ping what kind of person Danny is and asked what kind of martial arts we can use to help him, because different personalities use different kinds of martial arts. When I play a bad guy, I have a bad guy style, and cop has a tough cop style. Usually, I have a Jet Li style with signature moves, but this time we tried to do just like a dog in the beginning. Dogs, they don't talk a lot; they only use their eyes to show emotion, so when they fight it's very concentrated and simple. Punch! Punch! Punch! And then go to the second one. That's how the martial arts were designed for this person.
CS!: How was it different filming these violent action scenes compared to those for Hero, which were more artistic?
Li: We needed to find a different choreographer that had the special ability. We have three good guys--Yuen Wu-Ping, Corey Yuen and Tony who did Hero--so when we did this film, we called Wu-Ping and convinced him to do it. The martial arts you use in the film is the best way to help the story and the character. In the beginning, Danny just fights like an animal but once he grows up and understands a little bit of life through Morgan's character, he can control his body slightly. By the end of the movie, he's totally in control. He knows he doesn't want to hurt people. He wants to stop the fights.
CS!: In the martial arts movies of the '60s and 70's, it focused on different fighting styles, but in contemporary movies, it's more about an actor's style. Why do you think that is?
Li: A lot of people ask if Jet Li creates some new movements in new films, but to tell you the truth, every human being has two legs and two arms. I can't create more than this. A lot of movements we already did, but the new thing for an action film is the drama, the story, and the character. If you like the character and the story, you think that the same punch is different. Like a love story. You make a thousand love stories with man and girl, so it's how to make it touch your heart, that's the power of the story. I think with martial arts, the best way to use it in the film is the material, how to help the character and help the story.
CS!: Do you foresee a time when you do a film that doesn't have any martial arts or action at all?
Li: This is the kind of question [I've been asked] ever since the first day I started making action films. The reality is that whether the studios are in Asia or America, they are a business. They look at you and you've already proved you can do action films, so you do action films until one day you prove that you can do more than action, then they will give you a different role to play. Myself, I want to do a film without action, that's the dream. But if I'm the studio president who's in charge of the studio, I'd give drama to Tom Hanks and comedy I'd give to Jim Carrey…why take the risk? Until one day you need the proof. That's why I always try to prove myself. This movie didn't work in the States. When we sent it to the studios, nobody wanted to make it, so that's why I brought it to Europe to make this film. To try to find a little bit of opportunity to prove I can do more than just fighting.
